{"id":4012,"date":"2024-12-11T17:10:53","date_gmt":"2024-12-11T15:10:53","guid":{"rendered":"https:\/\/vb.vpba.edu.ua\/?p=4012"},"modified":"2025-02-13T10:40:02","modified_gmt":"2025-02-13T08:40:02","slug":"the-theological-and-dogmatic-justification-of-icon-art-in-the-early-byzantine-patristic-of-the-iv-v-centuries","status":"publish","type":"post","link":"https:\/\/vb.vpba.edu.ua\/uk\/the-theological-and-dogmatic-justification-of-icon-art-in-the-early-byzantine-patristic-of-the-iv-v-centuries\/","title":{"rendered":"\u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u044c\u043a\u043e-\u0434\u043e\u0433\u043c\u0430\u0442\u0438\u0447\u043d\u0435 \u043e\u0431\u0491\u0440\u0443\u043d\u0442\u0443\u0432\u0430\u043d\u043d\u044f \u0456\u043a\u043e\u043d\u043e\u043f\u0438\u0441\u043d\u043e\u0433\u043e \u043c\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u0430 \u0443 \u0440\u0430\u043d\u043d\u044c\u043e\u0432\u0456\u0437\u0430\u043d\u0442\u0456\u0439\u0441\u044c\u043a\u0456\u0439 \u043f\u0430\u0442\u0440\u0438\u0441\u0442\u0438\u0446\u0456 \u0406V-V \u0441\u0442."},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Dr hab. Viktoria Golovei<\/summary>\n<p class=\"wp-block-paragraph\">\u0434\u043e\u043a\u0442\u043e\u0440 \u0444\u0456\u043b\u043e\u0441\u043e\u0444\u0441\u044c\u043a\u0438\u0445 \u043d\u0430\u0443\u043a, \u0437\u0430\u0432\u0456\u0434\u0443\u0432\u0430\u0447 \u043a\u0430\u0444\u0435\u0434\u0440\u0438 \u0440\u0435\u043b\u0456\u0433\u0456\u0454\u0437\u043d\u0430\u0432\u0441\u0442\u0432\u0430 \u0421\u0445\u0456\u0434\u043d\u043e\u0454\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u044c\u043a\u043e\u0433\u043e \u043d\u0430\u0446\u0456\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0443\u043d\u0456\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0443 \u0456\u043c. \u041b\u0435\u0441\u0456 \u0423\u043a\u0440\u0430\u0457\u043d\u043a\u0438. \u0412\u0438\u043a\u043b\u0430\u0434\u0430\u0447 \u0412\u043e\u043b\u0438\u043d\u0441\u044c\u043a\u043e\u0457 \u041f\u0440\u0430\u0432\u043e\u0441\u043b\u0430\u0432\u043d\u043e\u0457 \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u044c\u043a\u043e\u0457 \u0410\u043a\u0430\u0434\u0435\u043c\u0456\u0457<\/p>\n<\/details>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">VB. &#8211; \u2116 3, 2015. &#8211; P. 127-136<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Summary<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The article is devoted to the philosophical and aesthetic analysis of the concept of pictorial representation of the Divine in Byzantine theology of the IV-V centuries. The arguments of Byzantine Church Fathers in favor of visual anthropomorphic representation of God and the saints have been analyzed. It outlines the main provisions of the concept of the ontology of the image in the early Byzantine theology. It is proved that from this period the theoretical theology became the main factor that ideologically directed church art and inspired its creators, contributing to the approval of the sacred status of art in the Christian culture. Icon was firmly established as a sacred way of proving the historical truth of the Incarnation; it was associated with the very essence of the Christian faith professing not only through the word, but also through visualization; that is, has been recognized by the equivalence of verbal and visual representation of the Divine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Key words:&nbsp;<\/strong>Graphic representation of the divine, image, aesthetic, sacred art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>References:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1. \u0410\u0432\u0435\u0440\u0438\u043d\u0446\u0435\u0432 \u0421. \u0421. \u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u0440\u0430\u043d\u043d\u0435\u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \/ \u0421\u0435\u0440\u0433\u0435\u0439 \u0410\u0432\u0435\u0440\u0438\u043d\u0446\u0435\u0432. \u2013 \u041c.: Coda, 1997. \u2013 343 \u0441.<br>2. \u0411\u044b\u0447\u043a\u043e\u0432 \u0412. \u0412. 2000 \u043b\u0435\u0442 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b sub specie aesthetica: \u0432 2-\u0445 \u0442. \/ \u0412\u0438\u043a\u0442\u043e\u0440 \u0411\u044b\u0447\u043a\u043e\u0432. \u2013 \u041c.\u2013\u0421\u041f\u0431. : \u0423\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0441\u043a\u0430\u044f \u043a\u043d\u0438\u0433\u0430, 1999. \u2013 \u0422. 1 : \u0420\u0430\u043d\u043d\u0435\u0435 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u0442\u0432\u043e. \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u044f. \u2013 1999. \u2013 575 \u0441.<br>3. \u0412\u0430\u0441\u0438\u043b\u0456\u0439 \u0412\u0435\u043b\u0438\u043a\u0438\u0439. \u0411\u0435\u0441\u0456\u0434\u0430 \u0432 \u0434\u0435\u043d\u044c \u0441\u0432. \u043c\u0443\u0447\u0435\u043d\u0438\u043a\u0430 \u0412\u0430\u0440\u043b\u0430\u0430\u043c\u0430 \/ \u0412\u0430\u0441\u0438\u043b\u0456\u0439 \u0412\u0435\u043b\u0438\u043a\u0438\u0439 ; [\u043f\u0435\u0440. \u0443\u043a\u0440. \u043f\u0456\u0434 \u0440\u0435\u0434. \u041f\u0430\u0442\u0440\u0456\u0430\u0440\u0445\u0430 \u0424\u0456\u043b\u0430\u0440\u0435\u0442\u0430 (\u0414\u0435\u043d\u0438\u0441\u0435\u043d\u043a\u0430)] \/\/ \u0422\u0432\u043e\u0440\u0456\u043d\u043d\u044f \u0432 2 \u0442., 4 \u043a\u043d. \u2013 \u0422. 1. \u041a\u043d. 2. \u2013 \u041a. : \u0412\u0438\u0434\u0430\u0432\u043d\u0438\u0447\u0438\u0439 \u0432\u0456\u0434\u0434\u0456\u043b \u0423\u041f\u0426 \u041a\u041f, 2010. \u2013 \u0421. 452\u2013455.<br>4. \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439. \u041a \u044d\u043b\u043b\u0438\u043d\u0430\u043c \/ \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439; [\u043f\u0435\u0440. \u0441 \u0434\u0440\u0435\u0432\u043d\u0435\u0433\u0440\u0435\u0447. \u041b. \u0421. \u041a\u0443\u043a\u0443\u0448\u043a\u0438\u043d] \/\/ \u041c\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u0435 \u0412\u043e\u0441\u0442\u043e\u0447\u043d\u043e\u0439 \u0426\u0435\u0440\u043a\u0432\u0438: \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u044f. \u2013 \u041c.: \u041e\u041e\u041e \u00ab\u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0410\u0421\u0422\u00bb; \u0425\u0430\u0440\u044c\u043a\u043e\u0432 : \u00ab\u0424\u043e\u043b\u0438\u043e\u00bb, 2001. \u2013 \u0421. 371-385.<br>5. \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439. \u041e\u0431 \u0443\u0441\u0442\u0440\u043e\u0435\u043d\u0438\u0438 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430 \/ \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439 [\u043f\u0435\u0440. \u0441 \u0434\u0440\u0435\u0432\u043d\u0435\u0433\u0440\u0435\u0447., \u043f\u0440\u0438\u043c. \u0438 \u043f\u043e\u0441\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u0435 \u0412. \u041c. \u041b\u0443\u0440\u044c\u0435] \u2013 \u0421\u041f\u0431. : \u0410\u043a\u0441\u0438\u043e\u043c\u0430, \u041c\u0438\u0444\u0440\u0438\u043b, 1995. \u2013 176 \u0441.<br>6. \u0425\u0430\u0440\u0442 \u0414. \u041a\u0440\u0430\u0441\u043e\u0442\u0430 \u0431\u0435\u0441\u043a\u043e\u043d\u0435\u0447\u043d\u043e\u0433\u043e : \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u0438\u0441\u0442\u0438\u043d\u044b \/ \u0414\u044d\u0432\u0438\u0434 \u0425\u0430\u0440\u0442; [\u043f\u0435\u0440. \u0441 \u0430\u043d\u0433\u043b. \u0410. \u041b\u0443\u043a\u044c\u044f\u043d\u043e\u0432]. \u2013 \u041c.: \u0411\u0438\u0431\u043b\u0435\u0439\u0441\u043a\u043e-\u0431\u043e\u0433\u043e\u0441\u043b. \u0438\u043d-\u0442 \u0441\u0432. \u0430\u043f\u043e\u0441\u0442\u043e\u043b\u0430 \u0410\u043d\u0434\u0440\u0435\u044f, 2010. \u2013 673 \u0441.<br>7. \u0428\u0435\u043d\u0431\u043e\u0440\u043d \u041a. \u0418\u043a\u043e\u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u0430. \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u043a\u0438\u0435 \u043e\u0441\u043d\u043e\u0432\u044b \/ \u041a. \u0428\u0435\u043d\u0431\u043e\u0440\u043d; [\u043f\u0435\u0440. \u0441 \u043d\u0435\u043c. \u0415. \u041c. \u0412\u0435\u0440\u0435\u0449\u0430\u0433\u0438\u043d]. \u2013 \u041c.: \u0425\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u0430\u044f \u0420\u043e\u0441\u0441\u0438\u044f, 1999. \u2013 232 \u0441.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/vb.vpba.edu.ua\/wp-content\/uploads\/sites\/2\/2024\/12\/3_13.pdf\">View\/download PDF<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>VB. &#8211; \u2116 3, 2015. &#8211; P. 127-136 Summary The article is devoted to the philosophical and aesthetic analysis of the concept of pictorial representation of the Divine in Byzantine theology of the IV-V centuries. The arguments of Byzantine Church Fathers in favor of visual anthropomorphic representation of God and the saints have been analyzed. It outlines the main provisions of the concept of the ontology of the image in the early Byzantine theology. It is proved that from this period the theoretical theology became the main factor that ideologically directed church art and inspired its creators, contributing to the approval of the sacred status of art in the Christian culture. Icon was firmly established as a sacred way of proving the historical truth of the Incarnation; it was associated with the very essence of the Christian faith professing not only through the word, but also through visualization; that is, has been recognized by the equivalence of verbal and visual representation of the Divine. Key words:&nbsp;Graphic representation of the divine, image, aesthetic, sacred art. References: 1. \u0410\u0432\u0435\u0440\u0438\u043d\u0446\u0435\u0432 \u0421. \u0421. \u041f\u043e\u044d\u0442\u0438\u043a\u0430 \u0440\u0430\u043d\u043d\u0435\u0432\u0438\u0437\u0430\u043d\u0442\u0438\u0439\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b \/ \u0421\u0435\u0440\u0433\u0435\u0439 \u0410\u0432\u0435\u0440\u0438\u043d\u0446\u0435\u0432. \u2013 \u041c.: Coda, 1997. \u2013 343 \u0441.2. \u0411\u044b\u0447\u043a\u043e\u0432 \u0412. \u0412. 2000 \u043b\u0435\u0442 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b sub specie aesthetica: \u0432 2-\u0445 \u0442. \/ \u0412\u0438\u043a\u0442\u043e\u0440 \u0411\u044b\u0447\u043a\u043e\u0432. \u2013 \u041c.\u2013\u0421\u041f\u0431. : \u0423\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0441\u043a\u0430\u044f \u043a\u043d\u0438\u0433\u0430, 1999. \u2013 \u0422. 1 : \u0420\u0430\u043d\u043d\u0435\u0435 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u0442\u0432\u043e. \u0412\u0438\u0437\u0430\u043d\u0442\u0438\u044f. \u2013 1999. \u2013 575 \u0441.3. \u0412\u0430\u0441\u0438\u043b\u0456\u0439 \u0412\u0435\u043b\u0438\u043a\u0438\u0439. \u0411\u0435\u0441\u0456\u0434\u0430 \u0432 \u0434\u0435\u043d\u044c \u0441\u0432. \u043c\u0443\u0447\u0435\u043d\u0438\u043a\u0430 \u0412\u0430\u0440\u043b\u0430\u0430\u043c\u0430 \/ \u0412\u0430\u0441\u0438\u043b\u0456\u0439 \u0412\u0435\u043b\u0438\u043a\u0438\u0439 ; [\u043f\u0435\u0440. \u0443\u043a\u0440. \u043f\u0456\u0434 \u0440\u0435\u0434. \u041f\u0430\u0442\u0440\u0456\u0430\u0440\u0445\u0430 \u0424\u0456\u043b\u0430\u0440\u0435\u0442\u0430 (\u0414\u0435\u043d\u0438\u0441\u0435\u043d\u043a\u0430)] \/\/ \u0422\u0432\u043e\u0440\u0456\u043d\u043d\u044f \u0432 2 \u0442., 4 \u043a\u043d. \u2013 \u0422. 1. \u041a\u043d. 2. \u2013 \u041a. : \u0412\u0438\u0434\u0430\u0432\u043d\u0438\u0447\u0438\u0439 \u0432\u0456\u0434\u0434\u0456\u043b \u0423\u041f\u0426 \u041a\u041f, 2010. \u2013 \u0421. 452\u2013455.4. \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439. \u041a \u044d\u043b\u043b\u0438\u043d\u0430\u043c \/ \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439; [\u043f\u0435\u0440. \u0441 \u0434\u0440\u0435\u0432\u043d\u0435\u0433\u0440\u0435\u0447. \u041b. \u0421. \u041a\u0443\u043a\u0443\u0448\u043a\u0438\u043d] \/\/ \u041c\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0431\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0438\u0435 \u0412\u043e\u0441\u0442\u043e\u0447\u043d\u043e\u0439 \u0426\u0435\u0440\u043a\u0432\u0438: \u0430\u043d\u0442\u043e\u043b\u043e\u0433\u0438\u044f. \u2013 \u041c.: \u041e\u041e\u041e \u00ab\u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u0410\u0421\u0422\u00bb; \u0425\u0430\u0440\u044c\u043a\u043e\u0432 : \u00ab\u0424\u043e\u043b\u0438\u043e\u00bb, 2001. \u2013 \u0421. 371-385.5. \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439. \u041e\u0431 \u0443\u0441\u0442\u0440\u043e\u0435\u043d\u0438\u0438 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430 \/ \u0413\u0440\u0438\u0433\u043e\u0440\u0438\u0439 \u041d\u0438\u0441\u0441\u043a\u0438\u0439 [\u043f\u0435\u0440. \u0441 \u0434\u0440\u0435\u0432\u043d\u0435\u0433\u0440\u0435\u0447., \u043f\u0440\u0438\u043c. \u0438 \u043f\u043e\u0441\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u0435 \u0412. \u041c. \u041b\u0443\u0440\u044c\u0435] \u2013 \u0421\u041f\u0431. : \u0410\u043a\u0441\u0438\u043e\u043c\u0430, \u041c\u0438\u0444\u0440\u0438\u043b, 1995. \u2013 176 \u0441.6. \u0425\u0430\u0440\u0442 \u0414. \u041a\u0440\u0430\u0441\u043e\u0442\u0430 \u0431\u0435\u0441\u043a\u043e\u043d\u0435\u0447\u043d\u043e\u0433\u043e : \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u0445\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u043e\u0439 \u0438\u0441\u0442\u0438\u043d\u044b \/ \u0414\u044d\u0432\u0438\u0434 \u0425\u0430\u0440\u0442; [\u043f\u0435\u0440. \u0441 \u0430\u043d\u0433\u043b. \u0410. \u041b\u0443\u043a\u044c\u044f\u043d\u043e\u0432]. \u2013 \u041c.: \u0411\u0438\u0431\u043b\u0435\u0439\u0441\u043a\u043e-\u0431\u043e\u0433\u043e\u0441\u043b. \u0438\u043d-\u0442 \u0441\u0432. \u0430\u043f\u043e\u0441\u0442\u043e\u043b\u0430 \u0410\u043d\u0434\u0440\u0435\u044f, 2010. \u2013 673 \u0441.7. \u0428\u0435\u043d\u0431\u043e\u0440\u043d \u041a. \u0418\u043a\u043e\u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u0430. \u0411\u043e\u0433\u043e\u0441\u043b\u043e\u0432\u0441\u043a\u0438\u0435 \u043e\u0441\u043d\u043e\u0432\u044b \/ \u041a. \u0428\u0435\u043d\u0431\u043e\u0440\u043d; [\u043f\u0435\u0440. \u0441 \u043d\u0435\u043c. \u0415. \u041c. \u0412\u0435\u0440\u0435\u0449\u0430\u0433\u0438\u043d]. \u2013 \u041c.: \u0425\u0440\u0438\u0441\u0442\u0438\u0430\u043d\u0441\u043a\u0430\u044f \u0420\u043e\u0441\u0441\u0438\u044f, 1999. \u2013 232 \u0441.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[180],"class_list":["post-4012","post","type-post","status-publish","format-standard","hentry","category--3-2015","tag-dr-hab-viktoria-golovei","post-no-thumbnail"],"_links":{"self":[{"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/posts\/4012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/comments?post=4012"}],"version-history":[{"count":3,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/posts\/4012\/revisions"}],"predecessor-version":[{"id":5479,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/posts\/4012\/revisions\/5479"}],"wp:attachment":[{"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/media?parent=4012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/categories?post=4012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vb.vpba.edu.ua\/uk\/wp-json\/wp\/v2\/tags?post=4012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}